1492 conquest of paradise music

1492 conquest of paradise music

Discover releases, reviews, track listings, recommendations, and more about Vangelis - – Conquest Of Paradise (Music From The Original Soundtrack) at. View credits, reviews, tracks and shop for the CD release of - Conquest Of Paradise (Music From The Original Soundtrack) on Discogs. Vangelis - Conquest of Paradise - Original Motion Picture Soundtrack - beardieworld.de Music. Listen to any song, anywhere with Amazon Music Unlimited. Find album reviews, stream songs, credits and award information for Conquest of Paradise [Music from the Original Soundtrack] - Vangelis on AllMusic.

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More Images. Please enable Javascript to take full advantage of our site features. CDAlbum, Reissue. Tracklist 1 Opening 1: Recorded and mixed at Epsilon Laboratory, Paris. Mastered at "44,1", Paris.

Special thanks to: Catalog printed on spine and disc. Catalog YS printed on backside of artwork. Barcode Text: CA Other: Add Review ttooyyss July 9, Report. I find this one his last great album.

Reply Notify me Helpful. EAJohn December 2, Report. This is musical creation and production at its purest. The evocative composition lets 1492 conquest of paradise music see the events of Columbus' story 1492 conquest of paradise music ever having to see the movie.

Vangelis is, without doubt, doing the job he was put on earth to do. Anyone who hasn't experienced the musical pleasure of this Album and, in particular, the most amazing musical journey that is track 12 - "Pinta. Reply Notify me 2 Helpful. CD by railrunner. CD Collection by mcymd. CD by DivineNotHuman. Conquest Of Paradise.

Monastery Of La Rabida. City Of Isabel. Light And Shadow. West Across The Ocean Sea. Moxica And The Horse. Twenty Eighth Parallel. EastWestEastWest. Sell This Version. EastWest 3. Mad Vox. WEA Music.

Conquest of Paradise (album) - Wikipedia

Opening 1: Conquest of Paradise 4: Monastery of la Rabida 3: City of Isabel 2: Light and Shadow 3: Deliverance 3: West Across the Ocean Sea 2: Eternity 1: Hispanola 4: Moxica and the Horse 7: Twenty Eighth Parallel 5: The properly named opening track with its ship-like sounds is a shiver-your-spine intro showing that something GREAT is going to arrive This title number is very touching since it has a choir driving the song with a repeated violin- synth sound at the background and some piano.

After these amazing initial six minutes we are led to the third song, "Monastery of la Rabida", which is the song that most affects me emotionally on the album. I do avoid to listen to it when i feel sad because the music here is very very influential on the mood, and if you have depression problems just don't listen to this because it can make you feel with even more angst.

Actually i love this song and would rate it as one of the best of the album. But this album has to be appreciated in my opinion, and if you tono rosario chuleta games a problem with songs being sometimes repetitive you should give them a chance since they are all masterpieces on their own. Absolutely beautiful! The next two tracks are very mesmerizing and add a lot to the "voyage" factor. Both "Hispanola" and "Moxica" show the album's most angry face, very opposite to what has been featured until "Eternity".

An amazing and emotional album, please try this and forget any prejudice against Vangelis and New Age music in general, you won't regret it. It is of course no coincidence that this album was released inexactly years after the date mentioned in the title. This is in fact the soundtrack to the Ridley Scott film of the same name. The film was originally to be simply called Columbus, but the title was changed to emphasise the anniversary. Vangelis would work again with Scott on the music for "Blade runner".

After a brief introductory "Opening", the title theme "Conquest of paradise" is a magnificently pompous synth and chorale piece which can roughly be described as "To the unknown man" meets "Chariots of fire". The slow marching rhythm builds majestically, Vangelis floating his synth in and out between the voices. While much of the rest of the album is dominated by the almost ambient sounds of Vangelis synth, the choirs do return at various points, along with what sounds like acoustic guitar, flute and sundry other instruments.

The music flows as a continuous piece, the tracks merging seamlessly from one to the next. There are inevitably parts which paint pictures of the vast oceans and ships sailing upon them, but there is also the occasional supriseperhaps in the form of an ethnic flavoured, world music type theme or sound.

Those who enjoy the music of Vangelis will probably look upon this as a highly satisfactory album. Those less familiar would be well advised to use it as an introduction to him.

While it lacks some of the dynamics of his early releases, this is a highly melodic and thoroughly enjoyable listen. I usually avoid rating film soundtrack albums, but I make an exception here as I did with Chariots Of Fire as these albums contain some of Vangelis most famous pieces. Very often when music is explicitly made for a film, rather than to be heard solely on its own merits, the result is not very interesting musically. This is partly true of both 1492 conquest of paradise music Of Fire and the present album, but it is certainly not wholly true.

Several moments and passages on this album stand up well on their own. Still, listening as opposed to merely hearing to the whole album in one session can however be a quite daunting task. Vangelis is known for his minimalistic electronic soundscapes, with which he nonetheless sometimes manages to create something quite bombastic.

Chariots Of Fire is one example. On he relies not only on electronic sounds but brings in male and female choirs as well as a plethora of acoustic instruments. It is typical Vangelis, yet at the same time different from anything else I've heard from him. This is majestic, heroic and pompous but without being overblown.

There is no doubt about the fact that Vangelis is talented and that the present work is the result of much care and attention to detail. The sonic quality of the recording is simply impeccable. I have not seen the film for which this music was made, but it is easy to imagine pictures of the vast Atlantic Ocean, the majestic ship, the long coastlines of the unknown land, etc. This is mostly a very pleasant listen and considered as a film soundtrack it is surely among the best of 1492 conquest of paradise music kind.

It is not in any sense "progressive" though, and it is by no means related to Prog Rock. It can thus hardly be put side to side with Vangelis' best works of the 70's such as Spiral and Heaven And Hell where the relation to Prog is more apparent.

This album is a kind of rebirth with the bombastic ambiances of previous glory "Chariot Of Fire" and the main theme is of course a tremendous piece of music.

The music displayed in this album is of course well known by each of us who likes some stylistic motion picture as I am. The over use of choir is maybe too much but even if I am not the most inclined to the style, I am not its worst enemy either.

I am VERY interested in the historical theme of this movie, although I don't share the original Spanish views 1492 conquest of paradise music the new continent. As such, I have an emotional feeling about the soundtrack as well. Of course, this 1492 conquest of paradise music not a masterpiece but a good piece of music. I would suggest you to watch the movie while listening to the music if you can.

One of the highlights is the Bolero type track: It might be considered as pompous but 1492 conquest of paradise music perception is just that it is one of 1492 conquest of paradise music best pieces out there.

The same sort of hypnotic vision can be experienced during "Hispanola". If you would like to enter into Vangelis music, this album is a good opportunity. For a more in-depth description, you can grab any of my previous reviews of the man.

The long and maritime closing track which is naming the three boats that were leading Columbus on the new continent and which will end up into the massacre of a whole civilization. I will never endorse this "Spanish grandeur". Four stars. This is a good Vangelis album for sure.

It's difficult to write about a soundtrack without mentioning the material that it noten kostenlos choriocarcinoma purposely written for. Did you notice the two dates? No, it's by no means an accident. This coincidence actually holds the key to why this movie wasn't as great as it was intended to be. It's simply a rushed production that took liberties with its source material.

In result it became an overblown snooze-fest of a movie that has been bashed by critics and public alike, placing Scott's career into a ditch for the next eight years. Fortunately, there isn't a logical regression between movies and soundtracks. Instead, it works generally in favor of the soundtracks. Allow me to explain If a movie is good, the soundtrack is generally a hit as well no matter of its quality, mainly because bad soundtracks to good movies still remind its listeners of the good movie that it was made for.

A bad movie, on the other hand, doesn't automatically result in a bad soundtrack and - Conquest Of Paradise is a perfect example of just that.

Not only can this soundtrack be 1492 conquest of paradise music without the listener ever seeing the movie, but I would actually consider it to be an obligatory requirement! The title track is now considered a world renowned score that has been copied numerous times but has still not been outmatched in its excellence.

The rest of of material is equally enjoyable and I really like that Vangelis separated the dramatic sections with masterful meditative moments. Overall, an excellent album for all fans of beautiful and peaceful instrumental music. Conquest Of Paradise 4: Monastery Of La Rabida 3: On the main theme "Conquest Of Paradise" is based on the 1492 conquest of paradise music of the middle-age.

The choir sings in a false latin language. Unlike other OST made by Vangelis, we won't 1492 conquest of paradise music too much 1492 conquest of paradise music of it. Slow, melodic, evocative, with a "monk" choir still in false latin. A great arrangement for the choir highly dramatic and very "classical".

This time driven by classical guitar and keyboard's violins and harp. Very dark. A sunset over the ocean. I haven't seen the movie. When 1492 conquest of paradise music mention images they are those the music evocates to my mind. Less than one minute and we have the dawn on the new world. A touching melodic track.

The rhythmic base is the same, but instead of the choir there is initially a female voice who sings like in a flamenco. When the choir starts it's very dark and dramatic. The melody is totally different and very "Spanish inspired". A medieval flamenco. The sounds have some of indian in the sense of sitar and tablas, not native americans. The classical guitar and the male vocals are based on flamenco instead.

Supershirt: 1492 conquest of paradise music

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HOWARD STERN SHOW MP3 As on a number of previous albums by Vangelis, the English Chamber Choirdirected by 1492 conquest of paradise music Protheroeperforms the choral parts. EastWest 3. The album and the single " Conquest of Paradise " enjoyed a revival in for various reasons and broke many sales records. CDAlbum, Reissue. Aphrodite's Child Jon and Vangelis. The Definitive Collection The Collection. The evocative composition lets you see the events of Columbus' story without ever having to see the movie.
1492 conquest of paradise music

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